The day the wooden archway fell
By Shannon Moorehead
A painted woman in a Venetian still-life
all rusty orange and robin’s egg blue—
the sky’s wonderful in the background out her porch
all greek-corinthian regal
the clouds out there all red,
summer sunset drops
an atomic bomb.
What’s the truth in the pale blue
ocean-blue rolling waves in the sky?
Sipping red wine, it stains her nightgown
running down her legs like birth,
death, blood running
dripping
caressing
skipping down
her cactus-needle legs
soaking eggshell porcelain gown
to mahogany ruin
the sky turns black now
the biting night breeze will cleanse,
absolution in the enclosing
blue empty of the balcony.
The old emerson echoes from her lofty room into night,
melancholy love songs,
Oh, where’d my sweet love go?
the strange city hollow below
all clay-roof, white-wall, lights-on-but-no-one’s-home
it’s empty—
and she’s a charcoal silhouette
against the glow of streetlights
down in pebble-ground pathways
vacant golden doorways and
deep hollow footsteps in the beach sand
the sting of
bare feet on cold balcony-stone
skin blotched red-wine oxblood,
the wooden archway awaiting warm embrace
as she steps soft-padding on the polished brunette oak
to pour another cabernet, merlot, bordeaux, crimson red,
trembling hands on emerald bottle, broken nails
grasping the crystal luminous
shining-in-the-waning-moonlight
glass of red sea.
Wailing sea-foam waves rock the buildings
back and forth, gently,
a child’s bassinet, lullabies,
the poor sweetheart whines hollow,
bitter echoes muffled in mother’s mourning
Where do broken hearts go?
wine’s all over the floor now
puddled beneath her feet, washed in red
bathed in ferment
the emerson’s playing static now
the horizon goes indigo,
white-knuckled scarlet fingers caress the bottle.